Saturday, 24 May 2014

'X-Men: Days of Future Past' review

‘X-Men: Days of Future Past’ is the seventh instalment to the ‘X-Men’ franchise, which follows the X-Men send Wolverine back to the past in a desperate attempt to alter history and prevent a dark future in which mutantkind, and humanity with it, are doomed. Bryan Singer, director of ‘X-Men’ and ‘X-Men 2’, returns to the franchise, joined by Hugh Jackman as Wolverine, Patrick Stewart and James McAvoy as Professor X, Ian McKellan and Michael Fassbender as Magneto, Jennifer Lawrence as Mystique and Ellen Page as Kitty Pryde, among a slew of other familiar and new mutants appearing throughout the film.


The X-Men franchise thus far has been rather hit and miss, and one worry someone might have before entering Days of Future Past is whether it would be among the likes of X-Men 2 and X-Men: First Class, which rank in my opinion among the best comic-book films to date, or whether it would fall among the weaker instalments like The Last Stand or Origins: Wolverine. I’m ecstatic to say that Days of Future Past is definitely among the best of the franchise thanks to a brilliantly crafted story, riveting tension throughout the film as the stakes are at the highest we’ve seen in the franchise before, and a certain sense of scale as fan favourite mutants from the original trilogy and the younger cast from First Class come together. There’s a huge amount of characters in this, and while the majority of them aren’t major players, none of them feel like they have been crammed in for simple fan service. And among these characters, none of the familiar actors fail to fall right back into their old roles, and the new characters never seem out of place in the universe.  

McAvoy steals the show as a young Xavier.
Despite the plethora of mutants, the film truly belongs to James McAvoy’s Charles Xavier, who not unlike how Patrick Stewart’s Xavier mentors Logan in the original X-Men film, now relies on Logan to guide him through a particular low point of his life. McAvoy truly manages to portray just how far Xavier has fallen since First Class, and how far he needs to go before he becomes the wise mentor from X-Men, with the highlights of his performance being interactions with Fassbender’s Magneto and Jackman’s Wolverine. Speaking of Wolverine, while obviously a major player in the film with him being the link between 1973 and 2023, it was refreshing that he took somewhat of a less central role from the original trilogy, allowing the younger iterations of Professor X, Magneto, Mystique and Beast to share the spotlight.
 
Magneto (Fassbender) is a particular highlight.
Naturally being a summer blockbuster, the film wasn’t solely relying on the admittedly brilliant plot and performances to succeed, as it has its fair share of action and special effects throughout as well. The scenes set in the dystopian 2023 looked magnificent as a torn apart, ragtag X-Men team were forced to fight for their lives. The powers of the remaining X-Men were showcased in these scenes in such a brilliant way, while also adding extra tension to the film as their efforts amounted to little. Meanwhile, in 1973, Logan and the gang have enough action to keep the film going, but the middle of the film was rather light on action as it entered rather dramatic portions of the story. In particular, an action scene set inside a prison was an early highlight, but it was a bit of a shame to not see some more action sprinkled in the second act as the X-Men, both past and future, prepared for a final showdown. Speaking of the final showdown the climactic battle set in 1973 felt like it was missing something to make it something special, rather than a solid set piece, as well as certain parts of it feeling too convenient and weakly scripted compared to the rest of the film.
 
Fan favourite Wolverine unites the two timelines.
In other sections of the film, it was wonderful to hear John Ottman return to score the film, and with him the return of the classic theme he introduced in X-Men 2 that was criminally never used again until now, though I will admit to missing Henry Jackman’s Magneto suite from First Class. Fans of the X-Men franchise in general will be pleased to know the film honours the majority of the existing instalments and tries to avoid messing up the continuity even more throughout the story. The future costumes for the X-Men looked brilliant, a definite improvement on the somewhat awkward suits from the original trilogy. While not many people wore costumes in the 70’s unlike the yellow suits from First Class, I’d argue Magneto’s costume looks the best here that he has done in the franchise.  
 
Jennifer Lawrence returns as Mystique. 

X-Men: Days of Future Past is an epic return to form for the franchise, and will be a real joy for fans to see their favourite original trilogy characters return while also expanding on the ‘First Class’ story. It manages to resolve a lot of problems people had with the franchise so far, while also opening the doors for exciting new possibilities in the future. Most importantly though, Days of Future Past stands on its own as a great story that I’d absolutely recommend anyone with even a passing interest in the franchise or genre checks out. 

4 out of 5 

Wednesday, 21 May 2014

Batman: Arkham Knight trailer review


Rocksteady have just released the second trailer for the upcoming ‘Batman: Arkham Knight’ video game, set to launch this October on PS4, Xbox One and PC. And it looks utterly incredible. I’ve got to be honest here, as excited as I have always been for Arkham Knight, the first trailer didn’t exactly floor me. The cinematic style they were using looked strange, with characters looking different to what they have done in previous video games (particularly Two-Face and Harley Quinn). Yet in-game screenshots released at the same time featured more familiar character models strangely. Furthermore, the trailer didn’t really reveal a lot about the game itself. This trailer though is a stunning improvement.

Kevin Conroy returns to voice Batman

The first thing you’ll probably notice watching the trailer is how beautiful the game looks. And rightfully so. While some of the games recently released for the PS4 and Xbox One haven’t had such an impressive graphical improvement as we would have liked, it could be argued that a lot of these games are actually held back because of their presence on PS3 and Xbox 360 systems as well. Arkham Knight has no such restrictions, and it really shows here as the city of Gotham and those who inhabit it have never looked better. Also, while Roger Craig Smith did an admirable job of voicing the Caped Crusader in Batman: Arkham Origins, one of the standout moments in the trailer for me personally was hearing Kevin Conroy back for the one, admittedly badass line he has in the trailer. Batman’s suit has a nice, armoured design this time around, although I can’t deny I miss the more comic-book styled suit from Arkham Asylum and Arkham City. And speaking of Batman's suit, it's awfully interesting that the Arkham Knight character seems to share Bruce Wayne's fashion sense. With still no word or clues to his identity, we're left to speculate who the Knight is and what his goals are. Maybe he's not just imitating Batman, but also Bruce Wayne, making the man under the mask Thomas Elliot, also known as Hush who appeared in Arkham City crafting a Bruce Wayne mask. Perhaps the Joker has risen from the dead and has now adopted the Arkham Knight persona? Could it be Quincy Sharp, who in Arkham Asylum was revealed to believe he has been possessed by the ghost of Amadeus Arkham? There are so many possibilities to who the Arkham Knight is, and so far no hints, and I love the mystery of it all.

The Arkham Knight promises there will be "No more Batman."

There doesn’t seem to be any new villains or characters in the trailer besides the Arkham Knight himself, but with the amount of things going on in this game, and not to mention the plotlines set up in Arkham City that will no doubt appear in this game such as the Hush and Azrael storylines, and it’s probably a good thing Rocksteady don’t appear to be cramming in as many villains as possible. We do get to see Oracle make a physical appearance for the first time in the series, despite being a major character in the first two games. Two villains I noticed in the trailer that I was really excited for was Scarecrow, who appears to be the main antagonist in some sort of way, making good on his hidden threats to Batman and Gotham from Arkham City. And after the spectacular Scarecrow sequences from Arkham Asylum, who isn’t excited for this particular villain to return to the series in a big way. The second is Two-Face (see what I did there?). Two-Face is in particular probably my favourite Batman villain, so while I was glad to see him make an appearance in Arkham City, I was equally disappointed when he had a very minor role in that game. So naturally I’m excited again to see him back in action for a hopefully bigger role in Arkham Knight.

Scarecrow's reappearance suggests a return of the thrilling fear toxin sequences from Arkham Asylum.
Batman: Arkham Knight is looking utterly fantastic, and with Rocksteady back we can expect a true return to form for the Arkham series after the slight dip in quality with 2013’s ‘Batman: Arkham Origins’. Rocksteady’s return, along with new gameplay features such as the Batmobile, a major graphical improvement thanks to next gen and an exciting new story to enjoy is more than enough to get me excited, and I look forward to hearing more about the game over the summer until it drops in October. 

What did you think of the trailer? Are you excited for Batman: Arkham Knight, or are you tired of this franchise? And who do you think the Arkham Knight is? Leave a comment and let me know. 

Batfleck: Coming Soon in Technicolour!

Ben Affleck’s Batsuit for the upcoming ‘Man of Steel’ sequel (which remains untitled for now, but is known as Batman vs Superman) [edit: now known as 'Batman v Superman: Dawn of Justice'*] was revealed recently to fans around the world, and received a positive reaction from fans. Anyone at least familiar with Frank Miller’s classic graphic novel ‘Batman: The Dark Knight Returns’ will have noticed more than a passing resemblance to the suit Batman wears in that, which keeps in line with the comments from Snyder that the graphic novel is a big influence on the film (even announcing the film with a quote from it). As a fan of the more classic comic book Batman appearance than we have seen on screen in the films from Tim Burton, Joel Schumacher and Christopher Nolan, I can’t praise the reveal image of the Batsuit enough. But the good news doesn’t just end there.

First official image of Ben Affleck's Batman.
Kevin Smith, a director who is himself a Batman fanatic and a close friend of Ben Affleck, revealed late last year he had already seen the Batsuit, and upon the recent unveiling to the world, decided to clarify a few things, mainly that this isn’t the image he had seen. Smith claims the image he saw of the Batsuit was in full colour, and now the public has had their first taste of the suit themselves, he has decided to share some key details with us. Specifically, he said “If you want to see what this fucking suit looks like, you just go to Frank Miller’s The Dark Knight Returns, go to the third book, Hunt the Dark Knight…it’s the exact fucking outfit he’s wearing. That’s why I hugged that guy all those months ago.” Once again we find ourselves back at ‘The Dark Knight Returns’, which indeed seems to be the largest influence for Batman in this film. So for those of you who haven’t yet read it (and if this includes you, I cannot recommend highly enough that you check out the graphic novel or at least the recent two-part animated adaptation), here is an image of Batman from the third book.

Batman (and Robin) from 'The Dark Knight Returns'
While it may be hard to see in that image, Batman’s cowl, boots and gloves are all a dark blue that appears to look black in certain lighting and positions, not unlike the suit seen in the recent video games ‘Batman: Arkham Asylum’ and ‘Batman: Arkham City’. Regardless, hearing this extra bit of detail on the Batsuit has really solidified in my mind how good it will look on screen. After the last seven Batman films all focused on Batman wearing a completely black suit, it feels so refreshing that when Batman finally clashes with Superman on screen, he’ll be wearing a more comic accurate suit. Even just Smith’s hints that the main colour will be grey sounds brilliant, but I especially love the idea of incorporating the dark blue, almost black colouring to the suit as well. Upon hearing the tidbits, actually, I went to Photoshop and quickly threw in some colour based on Smith's comments to give us a rough look at what Batman may look like. 



For the record, I was a big fan of Superman’s costume in Man of Steel, with the only really problem I had being I felt it could have benefited from the blue being slightly brighter, but even then I’m nitpicking. But with reports that the costume designer for ‘Batman vs Superman’ will be making some slight alterations to the Man of Steel suit, all I can say is I’m excited for the first image to be released of Ben Affleck’s Batman and Henry Cavill’s Superman, suited and booted, standing side by side in full colour. 

*About four hours after I posted this, Warner Brothers decided to officially announce the title of the film will be 'Batman v Superman: Dawn of Justice' in what I believe to be a deliberate way to make me look like an asshole at the beginning of this article. Thanks a lot, dicks. 
The new official title card for the Man of Steel sequel
Oh, and for those curious, I made a gif to summarize how I feel about this new title. 


The Future of the Coens

Joel and Ethan Coen are arguably two of the biggest names in Hollywood. ‘Fargo’, ‘The Big Lebowski’, ‘O Brother, Where Art Thou?’, ‘No Country for Old Men’, ‘True Grit’ and last year’s ‘Inside Llewyn Davis’ are just a handful of the critically acclaimed slew of films they have offered up to us as an audience, so understandably when they start talking about their upcoming projects, film fans listen. In the past week however, fans have been lucky to hear the Coen Brothers reveal two upcoming projects they are working about, that I have decided to talk about briefly here.

Joel and Ethan Coen
First up is their own project. ‘Hail Caesar’ follows a Hollywood fixer by the name of Eddie Mannix during the 1950s with George Clooney set to star and has been described as a ‘comical yarn’. Personally, I think this film sounds like one to keep an eye out for. I’ve always loved the idea of a ‘fixer’, someone hired to take care of problems and keep them away from the public eye such as drug abuse or sexual affairs. It’s an idea we’ve seen before in the likes of ‘Pulp Fiction’, the TV series ‘Ray Donavon’ and LA Confidential. Throw in the fact the Coens are writing it, and that they will be reteaming with George Clooney for it, and ‘Hail Caesar’ sounds like a sure thing.

The second project revealed to be in the Coens’ upcoming roster is actually a project revealed last month. The film, which is so far untitled, is the latest effort from Steven Spielberg and Tom Hanks, and is set to be a cold war spy thriller based around the crashing of a U-2 spy plane in 1960 on Soviet soil and the capturing of the pilot. Tom Hanks is set to star as the lawyer sent by the CIA to negotiate with the USSR for the pilot’s release. And now it has been revealed that the Coens will be writing the script for this feature. Steven Spielberg and Tom Hanks have been a great pairing since delivering ‘Saving Private Ryan’, with the pair also being part of the driving force behind ‘Band of Brothers’ and ‘The Pacific’. But to hear now their latest collaboration will also feature the Coens’ brilliant scriptwriting, and suddenly the project manages to become even more exciting!

Steven Spielberg and Tom Hanks
I feel like I should also mention ‘Unbroken’ here as well, the Coen scripted war drama set for release December 2014. The premise of the film sounds intriguing, focusing around a prisoner of war during World War II, and the fact Angelina Jolie is directing is also an interesting concept. I haven’t seen her directorial debut, ‘In the Land of Blood and Honey’, which she also wrote, but I’m aware it received mixed reactions from critics, so it will be interesting to see how she does directing when she has the Coens scripting for her.


Overall, the two projects they have recently revealed sound like they’re going to be must-see films if they deliver, and hopefully Jolie’s ‘Unbroken’ fares better than her previous film. If you’re a film fan, I highly recommend keeping an eye on the Coens’ upcoming projects as they’re sure to deliver even more critical successes to add to their already impressive filmography.

Tuesday, 20 May 2014

'Godzilla' review

'Godzilla' features the titular titan back in action as Lieutenant Ford Brody (Aaron Taylor-Johnson) fights to survive when an ancient force of nature is awoken. 'Godzilla' is the second directorial effort from Gareth Edwards, his debut being 2010's 'Monsters', and features Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe and Bryan Cranston.


The focus of the film revolves around Taylor-Johnson's Brody, as he tries to devise a plan to survive with the military while also trying to reunite himself with his wife and son. Quite alike Gareth Edward's previous film, 'Monsters', 'Godzilla' spends the majority of the time following the human conflict of Lt. Brody, rather than with the titular beast himself. While on paper this sounds like a winning idea that would give us a smarter spin on the summer blockbuster, problems arise when the human conflict isn't all that interesting. Brody's quest to reunite with his family fails to have much emotional resonance due to a lack of time spent with them at the beginning of a film, but mainly because the strides of their story is nothing we haven't seen before in a vast number of military stories as a soldier tries to reunite with his family. Even beyond that, the time the film spends with the military is once again nothing we haven't seen before as they try to devise a plan to put an end to the terrors they have encountered, which generally end up being no smarter than "shoot and blow up everything".

Taylor-Johnson's Brody fails to provide a likable, relatable lead man for the audience to root for

The film relies on the suspension of belief heavily as well in order for the plot to progress. The audience is expected to believe that a plethora of accidents, incidents, coincidences and more drag the protagonist and his family back into direct danger from monsters that the narrative begins to feel lazy and cheap because of it. While the scenes focused on the titanic beasts are a vast improvement, they are too few and far between to save from boredom kicking in, as the film decides to quickly cut away from the action as soon as the monsters get interesting, and instead show us the reactions of humans watching the footage of the destruction and fights that I'm sure the majority of the audience would prefer to see themselves.

The 'less is more' method Edwards clearly tries to employ here encounters some problem, such as the fact that the film teases Godzilla action so much, that by the time we get to a battle the film finds it hard to prove it was worth the wait, despite how great the scenes stand out by themselves as visual spectacles. Ken Watanabe also manages to provide a more interesting side to the human focused parts of the film, as does a brilliant albeit short performance from Bryan Cranston. The CGI is also astounding, as the film manages to turn Godzilla into a living creature, who has an effect on the environment around him as he stumbles through cities and causes chaos with mere footsteps. Godzilla is also accompanied by a suitably heavy feeling score by Alexandre Desplat, which packs a theme suited to the huge monster movies of old, and certainly helps set the tone when Godzilla finally gets his screen time. The cinematography of the film is also a highlight, as we are treated to beautiful shots of the destruction left by the kaiju, as well as the majority of the shots showing off Godzilla in all his glory.

When allowed on screen, Godzilla provides thrilling, intense, chaotic action that will be sure to please.

Godzilla certainly isn't a bad film, but rather a painfully average one that I had higher hopes for. While he has constructed a tense narrative and a gritty re-imagining for the titular beast, Edwards is so tied up trying to portray how Godzilla affects humanity, that he forgets to let the audience have much fun with the King of the Monsters himself.

Why ‘Guardians of the Galaxy’ is the refresher course the Marvel Cinematic Universe needs

The second trailer dropped yesterday for James Gunn’s ‘Guardians of the Galaxy’, which is set to be the tenth instalment into the Marvel Cinematic Universe. That’s right, tenth. And that’s not even including the five existing ‘Marvel One-Shots’ (short films that can be found on the Blu-ray releases of all MCU films since ‘Thor’), the spin-off TV series, ‘Agents of S.H.I.E.L.D.’, or the countless tie-in comic books that expand upon the various films. In the span of eight years, that’s an impressive number of entries which nobody can deny. But these various entries vary rarely do much to shake up the foundations of what we have seen before, and when you have so much coming out from one universe in such a short space of time, you’re undoubtedly going to cause fatigue.


In my opinion, this was one of the main problems of 2013’s ‘Iron Man 3’ and ‘Thor: The Dark World’. While I found them both to be enjoyable in their own right, they did little to actually expand on the universe, and rather just told a new story in familiar territory. Both could have shown us something new, if ‘Iron Man 3’ had stuck with the classic Mandarin stories of magic vs science, and ‘Thor: The Dark World’ spent more time with other realms. This is a problem that this year’s ‘Captain America: The Winter Soldier’ managed to avoid by, without giving too much away, giving us a major new perspective at a large component of the existing universe, therefore giving us a fresh take on it. It’s becoming more and more obvious that the films need to show us new and fresh parts of this universe to keep it interesting, rather than using constant easter eggs and references to show the fans they are indeed connected, an idea that has been done to death (for example, ‘Thor: The Dark World’ is literally the only film without a reference to Iron Man somewhere in it), and let’s face it, if the audience didn’t realise the films were connected after ‘The Avengers’, they never will. 

Enter ‘Guardians of the Galaxy’. Undoubtedly the riskiest choice for a film adaptation made by Marvel so far, Guardians is basing itself in almost completely unfamiliar territory with a team of five practically unknown heroes fighting on the other side of the galaxy from the Avengers. We’re getting new characters, new locations, new conflicts, and a whole lot of possibilities for future Marvel films. Just in this trailer, we already see aspects from the Nova corps, potentially setting up an appearance from Nova himself, Richard Rider, in a future film. Four of the five main characters are completely new species we haven’t even heard of yet as far as the films go, especially from the likes of the unique Rocket Racoon and Groot characters.
The fresh faces and unique species that comprise the Guardians provides a refreshing roster to the MCU 
The unfamiliarity is exactly what the Marvel universe needs at this point. As excited as I am for ‘The Avengers: Age of Ultron’, there’s a sense of mystery regarding Guardians of the Galaxy that makes it possibly the most intriguing and unique upcoming comic book film there is. We’re getting something that thus far has been completely unseen, with exception to at least one confirmed character returning who was briefly seen in ‘The Avengers’, and from it a wealth of possibilities for the future of the Marvel Cinematic Universe unlock as we truly explore the cosmic side of the Marvel universe only previously hinted at. And furthermore, there’s always the hope that if ‘Guardians of the Galaxy’ proves to be a hit, Marvel will push on with a ‘Doctor Strange’ movie and explore the magical side of the Marvel universe, giving us an even more broad spectrum to the Marvel films and giving the films a more refreshing feel before franchise fatigue starts to settle in.